Pixelland is a series of landscapes in transition—classical painted scenes reimagined through the contemporary process of pixel sorting.

The solidity of the original paintings is replaced by a sense of movement and impermanence, as if the landscapes themselves are slipping into another dimension. Pixelland reflects on how technology reshapes our ways of seeing nature. Just as early painters translated the world through pigment and canvas, the algorithm intervenes with its own aesthetic logic, creating a new form of digital sublime. The series becomes a dialogue between past and present—between memory of landscape and its reconfiguration in code.

What does it mean to experience nature through the lens of technology? And how do landscapes, whether painted or pixelated, carry both the memory of the world and the possibility of imagining it anew?