Traces evokes both the organic and the computational. They resemble the fluid dynamics of smoke, water, or wind, yet they are born of coded algorithms patterns that emerge from invisible rules. What begins as mathematical logic takes on the quality of handwriting, calligraphy, or dance.

In this tension between control and freedom, Traces reflects on the way every movement imprints itself into the world. Like memory itself, the forms are never stable; they shift, blur, and reconfigure, reminding us that presence is always entangled with disappearance.